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Worship in Song: A Friends Hymnal
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Hymns and Songs from Friends General Conference. Includes sheet music for over 300 songs, plus information on Guiding Principles for selection; the making of the book; Use of the book; A short history of hymns; historical notes; copyright acknowledgements
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Product details
Hardcover: 404 pages
Publisher: Quaker Pr of Friends General; Unabridged Version edition (June 30, 1996)
Language: English
ISBN-10: 1888305010
ISBN-13: 978-1888305012
Product Dimensions:
6 x 1.2 x 9 inches
Shipping Weight: 1.7 pounds
Average Customer Review:
4.0 out of 5 stars
4 customer reviews
Amazon Best Sellers Rank:
#1,201,817 in Books (See Top 100 in Books)
Actually good for anyone, this is a very good collection of classic and well known hymns as well as some that are more specific to the Quaker tradition. Nicely arranged for piano.
Hymns are, by their nature, quite varied in composition and style. Many of our very favorite things are infinitely complex in harmony and would require a new chord symbol on every syllable - I say this, not to denigrate hymns, but rather to illuminate the "why" this hymnal (and most others) do not include chord symbols. There are plenty of praise and worship worship style songs that allow one to strum happy.
I am from a different religious tradition. Despite this, I find many familiar hymns and I enjoy owning this book.
My meeting has many copies of this hymnal but they lie unused as there are no chords for the majority of songs. I can not recommend this hymnal to any meeting that does not have a pianist and a piano available to lead worship.
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Product details
Paperback: 90 pages
Publisher: CreateSpace Independent Publishing Platform (September 28, 2016)
Language: English
ISBN-10: 1539133079
ISBN-13: 978-1539133070
Product Dimensions:
6 x 0.2 x 9 inches
Shipping Weight: 6.7 ounces (View shipping rates and policies)
Average Customer Review:
3.6 out of 5 stars
12 customer reviews
Amazon Best Sellers Rank:
#1,361,195 in Books (See Top 100 in Books)
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Ebook Lookout America!: The Secret Hollywood Studio at the Heart of the Cold War (Interfaces: Studies in Visual Culture), by Ned O'Gorman
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Review
“How was that distinctive U.S. Cold War visual aesthetic created, recruiting Americans to identify with the perverse technoaesthetics of atomic bombs, intercontinental ballistic missiles, and space missions? Kevin Hamilton and Ned O’Gorman recover the all-but-lost history of the central image-making institution of the Cold War nuclear state and theorize its distinctive photographic program. Lookout America! is a pathbreaking book, a must read for anyone interested in the politics—or visual culture—of the Cold War.” (Joseph Masco, University of Chicago)“The secret, cinematic history of the Cold War is revealed in Lookout America, where the military-industrial complex meets the culture industry and the Atomic Age was styled. Meticulously researched, persuasively written, and beautifully designed, Lookout America is a blast from the past.” (Jayne Loader, co-director of The Atomic Cafe)“In this detailed and meticulously documented study, Kevin Hamilton and Ned O’Gorman explore the inner workings of one of the most important, prolific, and practically invisible centers of American Cold War film production. They show us the process through which the U.S. national security state came to picture its operations and also what these pictures, in turn, tell us about a transition over the decades from cinematic story-telling to cybernetic information streams. An impressive book about the Cold War image world, Lookout America also reflects on the challenges of researching a secret studio whose archive is as dispersed as nuclear fallout. A fascinating and hugely significant book!” (Jennifer Fay, author of Inhospitable World: Cinema in the Time of the Anthropocene)“Lookout America! is the fascinating story of the Cold War’s very own MGM – a top secret military film studio that operated out of a complex in the Hollywood Hills and documented everything from atomic tests to Vietnam bombing missions. This essential and image-packed book (Marilyn Monroe has a cameo!) is the result of a decade of obsessive detective work by the co-authors. Against long odds, they have rescued a lost chapter of history that the government was too indifferent to properly preserve.” (Bill Geerhart, editor of the Cold War website CONELRAD.com)"Lookout America! is all of the following: a rollicking story populated by an unlikely mix of Hollywood artists, nuclear scientists, and military movers and shakers; a feat of innovative design in its lovingly crafted layout and image curation; the reclamation of a forgotten Cold War archive; and a profound critical reflection on the nature of vision and visuality in an increasingly surveillant state. Hamilton and O’Gorman beautifully use the extraordinary history of the Lookout Mountain Laboratory to critique not just what we saw but more importantly how we saw in the Cold War, and the immense effects that has on our political culture today." (Tim Barney, University of Richmond)
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About the Author
NED O’GORMAN is a professor in the Department of Communication at the University of Illinois, Urbana-Champaign. He is the author of The Iconoclastic Imagination: Image, Catastrophe, and Economy in America from the Kennedy Assassination to September 11. KEVIN HAMILTON is a professor of art and design at the University of Illinois, Urbana-Champaign.
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Product details
Series: Interfaces: Studies in Visual Culture
Paperback: 320 pages
Publisher: Dartmouth College Press; 1 edition (December 4, 2018)
Language: English
ISBN-10: 1512603279
ISBN-13: 978-1512603279
Product Dimensions:
8 x 1.2 x 10 inches
Shipping Weight: 1.8 pounds (View shipping rates and policies)
Average Customer Review:
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Amazon Best Sellers Rank:
#934,133 in Books (See Top 100 in Books)
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Get Free Ebook Sports Nutrition Guide: Minerals, Vitamins & Antioxidants for Athletes, by Michael Colgan
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Product details
Paperback: 298 pages
Publisher: Apple Tree Pub Co Ltd (March 1, 2002)
Language: English
ISBN-10: 0969527284
ISBN-13: 978-0969527282
Product Dimensions:
6 x 0.8 x 9 inches
Shipping Weight: 14.4 ounces
Average Customer Review:
4.6 out of 5 stars
14 customer reviews
Amazon Best Sellers Rank:
#1,376,248 in Books (See Top 100 in Books)
If you are an athlete attempting to look for performance gains, then try to find his original book - so much better. Mine has black tape holding the binding due to how much I have read & flipped through it.
very informative
I got a copy of this when it first was published. I'm 78 and in very good health, and it's due to having set up a vitamin, mineral and food supplement program based on Dr. Colgan's suggestions. I'm not an athlete any more, if I ever was, but I do try to adhere to an exercise regimen involving walking, running and stretching according to a program prescribed by a physical therapy institution. The physical requirements are similar to those of a moderate athlete. It's somewhat dated, now, but the physiochemistry needs of the human body are set in our genetics so it's probably still quite topical.
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Download PDF The Homeric Hymns: A Translation, with Introduction and Notes (Joan Palevsky Imprint in Classical Literature)
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From the Inside Flap
“Rayor’s book is superb and appeals to all who are interested in classical literature, mythology, and related subjects. It displays the translator’s art at its best and is highly suitable for classroom use. Those wishing to pursue the Hymns in greater depth will find the select bibliography a useful source of current scholarship on the subject. Rayor is to be congratulated for a job well done.â€â€•Classical Outlook "This translation beautifully captures the style of the Homeric Hymns, at once pictorial and flowing. With an art that conceals art, Rayor finds the right euphonious language: accurate, vibrant without calling attention to itself, varied in tone, and natural. It is a delight to read."―Eva Stehle, author of Performance and Gender in Ancient Greece
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About the Author
Diane J. Rayor is Professor of Classics at Grand Valley State University, Michigan, in the department she helped found. In 2011, she received the prestigious Glenn A. Niemeyer Outstanding Faculty Award for excellence in teaching, scholarship, and service. Her translations of ancient Greek poetry and drama include Euripides’ “Medeaâ€; Sophocles’ “Antigoneâ€; Sappho's Lyre: Archaic Lyric and Women Poets of Ancient Greece; and, with Stanley Lombardo, Callimachus. She also edited, with William Batstone, Latin Lyric and Elegiac Poetry. Â
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Product details
Series: Joan Palevsky Imprint in Classical Literature
Paperback: 192 pages
Publisher: University of California Press; First Edition, Updated edition (March 14, 2014)
Language: English
ISBN-10: 0520282116
ISBN-13: 978-0520282117
Product Dimensions:
5.5 x 0.4 x 8.2 inches
Shipping Weight: 8.8 ounces (View shipping rates and policies)
Average Customer Review:
5.0 out of 5 stars
5 customer reviews
Amazon Best Sellers Rank:
#222,039 in Books (See Top 100 in Books)
Gives very good back stories to most of the gods and goddesses. I was required to read some of his for a college mythology class. It explains how a lot of the gods began and why they have their certain powers.
Good as expected.
A beautiful and accessible translation. The notes in the back are an added bonus.
For those unfamiliar with the "Homeric Hymns," translated in this case by Diane Rayor: they are a set of thirty-three or thirty-four short and long poems in honor of the major -- and a few minor -- Greek Gods, in the dactylic hexameter used in the "Iliad" and the "Odyssey," and other early Greek poems. They are attributed to Homer in the surviving manuscripts, and some allusions and quotations in classical writing. This is not taken seriously, but provides a label. Some are clearly early, a few are suspected of being Hellenistic, or even post-Christian. The longer hymns combine invocation, praise, and extended narratives; the shorter hymns lack the narrative, and in few cases are little more than invocations. They also vary considerably in the solemnity with which they approach the gods (see the trickster Hermes as a baby in Hymn 4). The two opening hymns survive in one damaged manuscript, so "To Dionysos" is a set of fragments, and, "To Demeter," has several gaps. The third, "To Apollo," is suspected of being two separate works linked by an ancient editor. The last piece, "To Hosts," is sometimes excluded, as it is a reminder that hospitality is a sacred duty, and not actually a hymn, and is also found in other contexts. All but a few are clearly intended for public performance, either as short introductions (proems), or as major pieces in themselves.As I have commented in reviews of other translations, by Apostolos N. Athanassakis (Johns Hopkins, 1976), Jules Cashford (Penguin Classics, 2003, with Introduction and Notes by Nicholas Richardson) and Martin L. West ("Homeric Hymns, Homeric Apocrypha, Lives of Homer," Loeb Classical Library, 2003, with a newly-edited Greek text), this long-neglected body of texts has received several bursts of attention over the last few decades.After a gap between World War I (Evelyn-West's old Loeb bilingual edition of 1914, last revised 1936; probably still available for awhile) and the 1960s, we now have English renderings by Boer (1970; a second edition [1975?] restored a Hymn to Apollo), Sargent (W.W. Norton, 1973), Athanassakis, Shelmerdine (Focus, 1995), Crudden (Oxford World's Classics, 2002), Cashford, West, and now Diane Rayor (University of California, 2004) -- counting only those currently in print. There are also editions and translations of individual hymns. Although English readers await a modern full critical text edition (the most recent are Italian: West, following the Loeb format, gives only major manuscript variants and those emendations he uses, with minimal, albeit useful, notes), and a full commentary to replace the venerable Allen, Halliday and Sikes (second edition, 1936), this is still a superabundance. "Get just one, or collect the whole set!" comes to mind.A recent review by a professional classicist (Stephen Evans, on-line in the "Bryn Mawr Classical Review" 2004.08.02) points out that the Crudden, Cashford, and Rayor translations all have annotations and / or introductions which survey recent literature on the hymns, but that they tend to favor different approaches, and so display remarkably little overlap in their coverage.Rayor does join Crudden in discussing Near-Eastern parallels to the hymns. Where Crudden cites comparisons of Hymn 3, the great Hymn (or Hymns) to Apollo, to Babylonian and Assyrian compositions about the exploits of the warrior-god Ninurta, though, Rayor is willing to go back to their Sumerian predecessors for the Hymn to Aphrodite. Unfortunately, I am not convinced that the stripping of the love-goddess Inanna (= Ishtar) of her magic vestments as she passes the gates of the Netherworld has much to do with the undressing of the disguised (as a mortal) Aphrodite by the Trojan prince Anchises in Hymn 5 -- particularly since the living body of Inanna is described throughout in terms of the materials of her own cult statue (something even the smitten Anchises would have noticed). The passage comes from "The Descent of Inanna," which Rayor calls a hymn, although it is usually classed as a narrative. These are not mutually exclusive, as both Greek and Mesopotamian examples show, but if it *is* a hymn, it is *not* to Inanna, but to her rival, the Queen of the Netherworld: it ends with the invocation "Holy Ereshkigal, sweet is your praise!" Still, taken as a "type-scene," it is an interesting parallel, particularly since the setting of the Hymn to Aphrodite is explicitly *not* Greece, but "foreign" (Asia Minor); and Greek re-workings even of Greek sources can be rather drastic.Diane Rayor's translations are not only the product of a distinguished classicist; they have been polished over several years of public readings, and with her students, to create a version which actually works in performance -- at least in American English. Most other available translations are worth reading aloud (with perhaps the exception of Boer's visually experimental free verse, and certainly of Evelyn-White's stodgy prose), but Rayor's alone invites it.Here is a sample of three recent versions of The (Delian and Pythian) Hymn(s) to Apollo (Hymn 3), lines 331-339, for comparison. Hera, Queen of the Gods, is furious over the many children fathered on others by her husband Zeus, the successful rebel against their father Kronos and his fellow Titans, and current King of the Gods -- particularly the "motherless" Athena, who emerged from his head.*Cashford*When she had spoken, she went away from the gods,Her heart very angry. Then immediatelyShe prayed, the lady Hera with her cow-eyes,And she struck the earthWith her hand flat against it, saying:`Hear me now, Gaia, and broad Ouranos high above,and you Titan gods who live beneath the eartharound great Tartaros from whom men and gods come.Listen to me now, all of you,And give me a child apart from ZeusAnd one not lesser than him in strength.Rather, may he be as much stronger than Zeus,Who sees all things, as Zeus, for his part,Is stronger than Kronos.'*West*So saying, she went apart from the gods, angry at heart. Then straightway she prayed, did the mild-eyed lady Hera, and struck the earth with the flat of her hand and said, "Hear me now, Earth and broad Heaven above, and you Titan gods who dwell below the earth around great Tartarus, and from whom gods and men descend; all of you now in person, hear me and grant me a son without Zeus' help, in no way falling short of him in strength, but as much superior as wide-sounding Zeus is to Kronos."*Rayor*In great fury, she stormed from the gods.Eyes dark and wide as a cow's, Queen Hera prayedAnd with down-turned palms struck the earth:"Now hear me Earth and wide Heaven above,and Titans, gods beneath the earth, dwelling aroundgreat Tartaros, from whom men and gods derive:all hear me and grant me a child apart from Zeus,in no way weaker in strength than he, a child greaterthan Zeus by as much as Zeus is greater than Kronos."
These dynamic translations will interest both beginners and more advanced readers, whether to read these as poetry and great stories, for their importance in World Literature, or their particular relation to classical antiquity. The hymns are immensely readable in Rayor's smooth and engaging translations, and the length of the hymns, and their appeal to myth, makes them really perfect for classroom use. Readers will be fascinated with their speculations on the origins, powers, and mishaps of the gods and goddesses, and they provide a great take-off point for writing assigments, in my classes. Rayor's notes are clear, to the point, giving just enough detail for readers who want more, and signalling where we can look further. The text throughout is well-informed by recent anthropological approaches that have expanded knowledge of ancient Greek culture, evident in the valuable introduction and notes, which attend to the interrelation of literature, folklore, religion, and geography. Rayor's introduction adopts a practical-minded, functionalist approach to literary problems such as genre and authorship, describing a hymn as a poem of praise, sometimes narrative, addressed to a god, and noting the importance of oral performance in Greek culture. I took personal delight in the maps and glossary, whose easy-to-follow pronounciation guide anticipates and lays aside the uncertainties about proper names that many students find to be the greatest single obstacle to the Hymn and to classics. Casual readers will appreciate the clarity and accuracy of the language, with its fast-paced readability: the English of the hymns neither extrapolates nor subtracts from the original texts, balancing the desire for accuracy with creating a translation that is at once concise and musical. The introduction is clear and the bibliography offers a well-balanced selection of recent criticism. Of particular value are the the notes, which point to additional ancient and contemporary sources, always stressing the poems' contexts in poetic performance and religious worship in the ancient world.
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PDF Ebook The Dinosaur Artist: Obsession, Science, and the Global Quest for Fossils, by Paige Williams
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Review
"Paige Williams is that rare reporter who burrows into a subject until all of its dimensions, all of its darkened corners and secret chambers, are illuminated. With The Dinosaur Artist, she has done more than reveal a gripping true crime story; she has cast light on everything from obsessive fossil hunters to how the earth evolved. This is a tremendous book."―David Grann, #1 New York Times bestselling author of Killers of the Flower Moon"The Dinosaur Artist is a breathtaking feat of writing and reporting: a strange, irresistible, and beautifully written story steeped in natural history, human nature, commerce, crime, science, and politics. It's at once laugh-out-loud funny and deeply sobering. I was blown away by the depth of its characters, its vivid details, and Paige Williams' incredible command of the facts. Bottom line: this is an extraordinary debut by one of the best nonfiction writers we've got."―Rebecca Skloot, #1 New York Times bestselling author of The Immortal Life of Henrietta Lacks"What began for [Williams] as the tale of an unusual court case involving a rogue fossil hunter unspools in this book into a wide-ranging examination of the ways that commercialism, ambition, politics and science collide... As a reader, being given entry by Williams into this underworld, privy to the secret knowledge of a black market, is a thrill.... The strange underground world Prokopi inhabits inevitably brings us in contact with some serious oddballs, each of whom is introduced by Williams with the economy and evocative precision of a haiku.... the book's most memorable character may be Mongolia itself, a rugged physical and political terrain that defies easy generalization."―New York Times"The Dinosaur Artist is a tale that has everything: passion, science, politics, intrigue, and, of course, dinosaurs. Paige Williams is a wonderful storyteller."―Elizabeth Kolbert, Pulitzer Prize-winning author of The Sixth Extinction"The Dinosaur Artist is a triumph. With peerless prose and sharp-eyed reporting, Paige Williams weaves a story that, even as it spans continents and transcends geological epochs, is deeply anchored in the passion and hubris of a rich cast of characters. Captivating, funny, and profound, it is easily one of the strongest works of non-fiction in years."―Ed Yong, staff writer, The Atlantic; New York Times bestselling author of I Contain Multitudes"Vivid storytelling.... A triumphant book."―Publishers Weekly"An astonishing tangle of financial gain, national identity, scientific fervour and, above all, the obsessional need to possess pieces of the past."―Nature"Williams's writing is often concise and evocative.... [The Dinosaur Artist] is gripping and cinematic."―Wall Street Journal"A tale so expansive that Nicolas Cage, Preet Bharara, and a colossal carnivorous dinosaur that lived some 70 million years ago are all entangled in its web. That alone should pique your curiosity, but it barely scratches the surface of the paleontological true crime story that unfolds in The Dinosaur Artist by Paige Williams."―Vice"Williams writes elegantly on the importance of fossils to science."―NPR
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About the Author
Paige Williams is a staff writer at The New Yorker and a Mississippi native. A National Magazine Award winner for feature writing, she has had her journalism anthologized in various volumes of the Best American series, including The Best American Magazine Writing and The Best American Crime Writing. She is the Laventhol/Newsday Visiting Professor at Columbia University's Graduate School of Journalism, and has taught at schools including the University of Mississippi, New York University, the Missouri School of Journalism, and, at M.I.T., in the Knight Science Journalism program. Williams has been a fellow of The MacDowell Colony and was a Nieman Fellow at Harvard. At The New Yorker, she has written about suburban politics in Detroit, the death penalty in Alabama, paleoanthropology in South Africa, and the theft of cultural palimony from the Tlingit peoples of Alaska.
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Product details
Paperback: 432 pages
Publisher: Hachette Books; Reprint edition (September 10, 2019)
Language: English
ISBN-10: 0316382515
ISBN-13: 978-0316382519
Shipping Weight: 1.1 pounds (View shipping rates and policies)
Average Customer Review:
4.1 out of 5 stars
47 customer reviews
Amazon Best Sellers Rank:
#3,652,612 in Books (See Top 100 in Books)
A nonfiction book should both educate and amuse the reader. Paige Williams' first book succeeds on both accounts and her research and documentary skills are obvious. Her expertise as a writer is demonstrated by her ability to describe the characters and exotic scenes encountered in following Eric Prokopi's ultimately tragic saga with the exquisite detail which the discerning reader desires. Along the way she manages to add brief primers on paleontology, geology, mineralogy, the economics of fossil collecting, and the history and modern geopolitics of Mongolia. Although I have rated her effort five stars, be forewarned that the inexplicable lack of accompanying photographs of the people she describes, the remote locations, and the fossils themselves will disappoint some readers.
This book accomplishes something that many non-fiction books fail to accomplish, which is to be both very entertaining and very educational. Who knew there was such a massive black market for dinosaur (and other) fossils? Moreover, who knew that the underground fossil market has significant geopolitical ramifications that crisscross the globe and even involve celebrities like Leonardo DiCaprio. The protagonist seems like a normal guy who turned his hobby (hunting fossils) into a business, then got in over his head in a number of ways (financially, dealing with shady characters, marital problems, etc.). And like many crime dramas, he just needed "one more score" to make everything OK again. That may sound like a movie, but it's all true in this case. It's a pretty remarkable story, and well worth the read! Highly recommend!
Although science, paleontology, and obscure policy issues are not my usual interests, I make a passionate exception for this true story told with Indiana Jones-like intensity.What drama! What characters! What metaphors! What wit!What a joyride through nerdy paleontology, international politics, and historical epochs!Loved all the details.Loved the elegant shifting of multiple storylines, characters, geography, and timelines.Loved the sympathy with which characters were portrayed, leaving moral questions up to the reader.I'm too old now to ride roller coasters, but this book will do!
This book deals with dinosaurs in the modern age. It is science and crime. It is a wonderful mix and a thrilling true story. The author is a great talent and I predict great things from her in the future.Get this book and treat yourself to a good read.
Very well written book with great insight into the world of commercial fossil dealing. Not to mention a fascinating story.
This book is very detailed and interesting if one is into archaeology, dino-bones and Mongolian dinosaur treasures. It can get a little too much into detail on occasion, reference the politics of the theft of prehistoric bones from this country, making it a bit dry, but the pace picks back up. Now, I know more than I did before I read it, for sure, especially about this one particular skeleton theft, auction and capture of the thieves.
Well written. An interesting story of fossil hunting and retail of same. A story of how fossil resale can effect ones life.
Enjoyed this book. It was very detailed, so it was interesting and informative, but sometimes a little dry. Learned a lot about the history of fossil study and also Mongolia in general. Has helped me to answer some Jeopardy questions!
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Free PDF SQL in easy steps
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Product details
Series: In Easy Steps
Paperback: 192 pages
Publisher: In Easy Steps Limited; Third edition (June 12, 2012)
Language: English
ISBN-10: 9781840785432
ISBN-13: 978-1840785432
ASIN: 1840785438
Product Dimensions:
7.2 x 0.5 x 9 inches
Shipping Weight: 14.9 ounces (View shipping rates and policies)
Average Customer Review:
4.6 out of 5 stars
13 customer reviews
Amazon Best Sellers Rank:
#346,898 in Books (See Top 100 in Books)
Mike McGrath's series of "easy steps" books are very well written and easy to digest. There is an appropriate amount of illustrations, examples, and use of color to distinguish between concepts. I highly recommend this book or any book from this series.
This is the fifth book in the series "In Easy Steps", which I bought. I like the structure of the book and the ease of finding information.
It is a good book, and it is very easy to read.the books is aimed at begginers with nice examples.
Good book!
for school not much to say.
Wasn't as clear as VBA book was.
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One of the occupational hazards of moving from excel based reporting to database administration is the urgent need to acquire technical skills in how to write queries. So, my coworker and resident expert on databases has been preparing a crash course of reading and reference materials on SQL so that I can get a basic hang of the architecture. This book is one of a series I will be looking at, so for those readers who appreciate my more technical book reviews, this is a change of pace from the sort of book I normally read. That said, this book, even given its technical content, certainly was written for a broad audience, and may even be a bit too basic for its intended aims, unless those aims are to get someone’s feet wet with very basic queries and understanding before moving to more challenging material.This book lives up to its name. At about 170 pages of main material, and some appendices that include restricted words and some basic queries that probably need to be read and referenced, this book is not a demanding read. It divides up a basic understanding of SQL, including an explanation of basic syntax and the structure of relational databases, into about fourteen short chapters that follow more or less the material of my basic introduction to SQL courses that I have taken. Included are introductions to adding and dropping tables, inserting information, performing basic inner and outer joins, summary calculations, sorts, and the like. This is practical information, and the book does a good job of explaining these tasks, at least at their simplest level.With a broad intended audience, this book would appear to be pretty basic for most web developers and programmers, except as a very easy introductory book that pushes the reader towards more challenging material. That said, the book is skillfully written, with amusing and informative tips and excellent full-color visuals. Even if it is basic, it at least is a book worth keeping around for reminders, so I can see why my coworker still has it even if he is far beyond the level of an introductory user of SQL. The book even manages to provide some parallel translation of the same query into three different dialects of SQL, which provides some helpful comparison and adds depth to the book. This was certainly a worthwhile read, even if it was a basic one for the most part.
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