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Landscape Illusion, by Daniel Chard
Download Landscape Illusion, by Daniel Chard
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Landscape Illusion provides a new understanding of the principles of, and the techniques necessary for, creating successful spatial illusions, which in turn leads to the creation of successful paintings. Chard covers conception, techniques, color mixing, and more. 160 color plates; 275 illustrations.
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Product details
Hardcover: 144 pages
Publisher: Watson-Guptill; 1st Edition edition (January 1, 1987)
Language: English
ISBN-10: 0823025969
ISBN-13: 978-0823025961
Package Dimensions:
11.1 x 8.2 x 0.6 inches
Shipping Weight: 1.8 pounds (View shipping rates and policies)
Average Customer Review:
4.8 out of 5 stars
8 customer reviews
Amazon Best Sellers Rank:
#993,159 in Books (See Top 100 in Books)
I bought this book on recommendation for use as a reference to enhance my model railroad scenery. Not just the backdrop! The principles outlined here for two dimensions, work in 3D as well. Great book!
Just received the book today and started flipping thru it its wonderful many examples and discussions very happymwith this oil painting book
Took a class with Dan who is a great artist. The book is helpful at all levels, especially as a follow up for the class.
Excited to finally have my own copy of this classic acrylic painter's landscape book.
Excellent book! I love this man's work!
This book will help in my landscape painting and illustion of the scape I need for my model at this time.
This book is easily one of the all-time great books on painting. It is not just a book on highly 'realistic' landscape painting in acrylics, rather it is an application of analytical thinking about painting to the particular problems of landscape. In a market saturated by fluffy and useless how-to books, this dense and meaty offering is one of the few that stand out as a must-have for anyone who is serious about representational painting.The section on composition is one of the most complete overviews of the subject I have seen to date; it includes topics such as unity and variety, the effects of 3-D illusion on composition (or vice-versa), the dynamics of the rectangle, left-right 'reading', and some deep analysis of Chard's own paintings. In other sections Chard discusses his rationale for representational painting, the concept of 'analogous' imagery, viewer's expectations for visual space, and details his methods and working processes. Each topic is covered with wide-ranging and carefully considered throughness.Chard communicates his insights with great clarity and detail. As a result this is a real reader's book, it has a lot of text in it along with the illustrations. If large paragraphs make your eyes glaze over you may find this book daunting, but struggle on and you will most likely find that the information and food for thought were worth it.Chard's book may not answer all your questions about painting, but it will provide a great deal of food for thought, and a pattern of principles and analysis that can be applied to a wide range of challenges and mediums in the visual arts...
I have found this book to be an excellent reference for those artists, such as myself, who have long used acrylics but have tried dabbling with watercolors, but with not as much success. Daniel Chard gives a wonderful approach to using acrylics transparently and achieving a watercolor-type effect - without the drawbacks of either medium. His section and examples of brushwork (and finger techniques) alone were worth the price of the book. Excellent composition material is a bonus.
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