Ebook Free Lipstick Traces: A Secret History of the Twentieth Century, Twentieth Anniversary Edition, by Greil Marcus

Ebook Free Lipstick Traces: A Secret History of the Twentieth Century, Twentieth Anniversary Edition, by Greil Marcus

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Lipstick Traces: A Secret History of the Twentieth Century, Twentieth Anniversary Edition, by Greil Marcus

Lipstick Traces: A Secret History of the Twentieth Century, Twentieth Anniversary Edition, by Greil Marcus


Lipstick Traces: A Secret History of the Twentieth Century, Twentieth Anniversary Edition, by Greil Marcus


Ebook Free Lipstick Traces: A Secret History of the Twentieth Century, Twentieth Anniversary Edition, by Greil Marcus

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Lipstick Traces: A Secret History of the Twentieth Century, Twentieth Anniversary Edition, by Greil Marcus

Review

A coruscatingly original piece of work, vibrant with the energy of the bizarre happenings it maps out. (Terry Eagleton New York Times Book Review)That Marcus can kick off and end his exhaustive, but always clear-headed, cross-epochal trek with the Sex Pistols―and make it all cohere―is but one indication of how fully he meshes the academy and the gutter. (Katherine Dieckmann Village Voice Literary Supplement)Lipstick Traces has the energy of its obsessions, and it snares you in the manner of those intense, questing and often stoned sessions of intellectual debate you may have experienced in your college years. It was destined, in other words, to achieve cult status. (Ben Brantley New York Times)In 1989, Harvard University Press published Lipstick Traces, the second book by the American writer and critic Greil Marcus. It was a dazzling creation, mapping out an untold 'secret history' which connected the Sex Pistols, the Dadaists, the Parisian événements of 1968, that legendary subversive clique the Situationist International and an Anabaptist revolt in 16th-century Germany, led by a notorious libertine named John of Leyden. Among the book's most ardent fans, it sparked real epiphanies… It stands as a singularly idiosyncratic product of a genre-cum-tradition rooted in the business of writing about musicians and the whirl of ideas that once surrounded them… [Marcus] manages some of the finest music writing ever to make it on to the page… My 20-year-old copy of Lipstick Traces is the one book I would save from my proverbial burning house. (John Harris The Guardian 2009-06-27)For anybody who wants to go deeper into the ontology of an idea that animates a kind of music, or is illuminated by that music, read Greil Marcus's Lipstick Traces, just reissued in an expanded edition for the book's twentieth anniversary. I often say that Traces is the best book ever written about music, even though it's not actually about music: it is about the life of an idea. (Sasha Frere-Jones New Yorker online 2009-10-21)I first read Lipstick Traces as a penniless traveler, hiding in the bathroom of a late-night express train from Cologne to Berlin. My paranoia was considerably eased as I delved into the lives of various misfits and aesthetic revolutionaries throughout the twentieth century. As dawn broke and the train pulled into the station, I disembarked, feeling not shell-shocked from the conductor's repeated passes to my stall, but decidedly refreshed. (J. Scott Burgeson East Bay Express 1998-01-01)The 'secret' of Marcus's history is its poetry…widely separated persons and events call out to each other and 'connect' precisely because so many of ordinary history's causal and syntactic arrangements have been positively negated. (Jerome McGann London Review of Books 1989-01-01)Greil Marcus has developed an ability to discern an art movement, or an entire country, lurking inside a song. (New Yorker 2004-01-01)Probably the most astute critic of American popular culture since Edmund Wilson. (D. D. Guttenplan London Review of Books 2007-01-01)

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About the Author

Greil Marcus is the author of The Doors, Mystery Train, and other books.

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Product details

Paperback: 496 pages

Publisher: Belknap Press; 2 edition (November 30, 2009)

Language: English

ISBN-10: 9780674034808

ISBN-13: 978-0674034808

ASIN: 0674034805

Product Dimensions:

6.5 x 1 x 9.2 inches

Shipping Weight: 1.4 pounds (View shipping rates and policies)

Average Customer Review:

3.7 out of 5 stars

37 customer reviews

Amazon Best Sellers Rank:

#587,923 in Books (See Top 100 in Books)

Think non-linear. Think connective. This book isn't exactly art history or criticism, it isn't a manual on how to start an artistic revolution, it isn't sociological theory - but it touches on all these.Marcus traces currents of thought and action in musical and artistic "movements" in an illuminating and inspiring way that swings from such 20th century horrors as Nazi death camps to Michael Jacksons' "Thriller", although he gets bogged down in the second half with the "lettristes" who really, from his description, don't sound exciting enough to spend so much time on. Okay, letter poetry, sounds stupid, what next?The person this book would be perfect for is the edgy artist who needs some instigation (the person who recommended it to me), intellectual "punk rock" fan (I might qualify), or the anarchist with a taste for literature (who I am mailing my copy to).If you are unfamiliar with the situationists, the sex pistols, the dadaists, European revolutions, etc. then this book is a good starting point. (I'd never heard of Guy Debord but the extensive quotes from "Society of the Spectacle" convinced me to rush out and read that, too.)

Greil's book a gem and gives the very best description of the Dada movement that I've ever read and I'm an artist, and taught on the university level for 25 years.All that plus he's fun to read.

Terrific, indescribable, indispensable contribution to cultural history. If you're at all interested in where "today" came from, check out this fabulous item.

brilliant. ihave add. :)

Buy this, read it. Now. A compendium of history (cultural studies?) spanning Benjamin and Horkheimer, Debord and the LI/Situationists, to proto punk and Malcolm McClaren and the Sex Pistols.

Without even commenting on the actual content, the style of this book is the complete opposite of our current oversimplified, dumbed down swill. The prose is dense and stream of consciousness styled, and necessarily complex. Greil Marcus drills down deeply, as far back as medieval times to synthesize an explanation of the Punk movement. He used documented but suppressed or forgotten historic events and movements to prove that Punk is not simply raw youthful rebellion, but part of a larger, self-validating philosophical paradigm. This coherency of this paradigm has evolved over the centuries, and it is never articulated in readily accessible form, but always lurking in the shadows. And it had repeatedly caused radical, worldwide change. Read this book if you dare, and if you can. Embrace complexity.

It's interesting since we've became of consumers meta formerly known as the genre, retro, derivative packaging to occasionally hear tale of newness as it was experienced. Before it was clear that it was actually something.

So far, the condition & content of the book have completely met my expectations (of which there were not many but had it been a piece of crap, my rating would have reflected this). I've found no complaints, just trying to keep up with the pacing of the book that Greil Marcus has provided which is quite rapid and jumps around in time quite a lot while loading the text heavily with historical, cultural references that at times escape me. It's a lot to take in at once but I'm enjoying this product nevertheless.

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