Ebook Free Potiki (Talanoa: Contemporary Pacific Literature), by Patricia Grace
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Potiki (Talanoa: Contemporary Pacific Literature), by Patricia Grace
Ebook Free Potiki (Talanoa: Contemporary Pacific Literature), by Patricia Grace
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From Publishers Weekly
Switching between first person and third person, this loose narrative of developers trying to build a resort on Maori land revolves around the family of Roimata Kararaina and her husband, Hemi Tamihana. Although land development is the central theme, Grace, the New Zealand author of several novels and short-story collections, is at her best portraying the lives of her characters, from their daily tasks (eel-fishing and cooking) to the stories they tell?both real hard-luck stories and ancestral myths. While the writing here is often elegant in its simplicity (the first-person sections in particular are beguilingly direct?"I have loved Hemi since I was five," Roimata announces by way of introduction) and the information about Maori life intriguing, the plot thread is often buried. Individual segments stand out because of Grace's able descriptions, but liberal use of Maori words such as papakainga and tangi with no explanation (a glossary might have helped) add to the confusion. When the conflict with "the dollarman" (their nickname for a Mr. Dolman, who comes to try to convince them to accept a project that includes not only a nightclub and golf course, but also "trained whales and seals etcetera") heats up, it moves matters along, but those sharp-edged segments can be disorienting in tandem with all the magical storytelling. This uneasy mix never jells completely, and the saga of native people suffering at the hands of an imperialist oppressor is not especially fresh. Copyright 1995 Reed Business Information, Inc.
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Review
What I enjoy most about the writing of Patricia Grace is the warmth of feeling, the depth, the aroha; the delight in the quirks of people and the poignancy; the sensitivity of the writing and the poetic quality of her descriptions. Source: Zealandia[Grace] is at her best portraying the lives of her characters, from their daily tasks (eel-fishing and cooking) to the stories they tell-both real hard-luck stories and ancestral myths.... The writing here is often elegant in its simplicity (the first-person sections in particular are beguilingly direct....) and the information about Maori life intriguing. Source: Publishers Weekly
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Product details
Series: Talanoa: Contemporary Pacific Literature
Paperback: 192 pages
Publisher: University of Hawaii Press (March 1, 1995)
Language: English
ISBN-10: 0824817060
ISBN-13: 978-0824817060
Product Dimensions:
5.5 x 0.4 x 8.3 inches
Shipping Weight: 8.8 ounces (View shipping rates and policies)
Average Customer Review:
4.5 out of 5 stars
7 customer reviews
Amazon Best Sellers Rank:
#132,792 in Books (See Top 100 in Books)
A really great story about Maori traditions, and the value of homeland (even when Pakeha are trying to offer you money so they can build a strip mall and a resort on your land). Uses various elements of storytelling, oral tradition, and magical realism to create a read that I couldn't put down.
I had a hard time reading this book -- there were parts of it that I found lyrical & compelling (like the introduction, and many of the chapters narrated by toko) and parts that seemed very heavy-handed (especially the telling of the history of protests over land that had been claimed by the gov't during wartime and the chapters narrated by hemi). Especially early in the book I found it easy to set it aside for periods of time, but I got more engaged as I got to the second section.One major weakness is that there's no glossary or translation of any of the Maori terms, so it's a much more difficult read for someone who is trying to become more familiar with the people and culture than someone who already is.
This is a wonderful read. I haven't read much literature from New Zealand nor about the Maori culture. This was a great place to start. The writing is really fabulous and the characters really engaging. The book was bought to read while touring around New Zealand for the first time. It was a really nice confluence of reading a great novel and trying to imagine it happening in the place I was traveling.
Beautiful.
I can't recall when I've ever felt so strongly the musical rhythm of an author's style, or the extent to which it changes to suit the tempo of the action and themes. In the first third of this wonderful book by a very talented writer, conversations between the simple Mary and Granny Tamihana, the guardian of Maori traditions, echo and sound like chants; between Roimata and Hemi, a happily married couple, they resemble duets with complimentary themes. The scene in which Mary gives birth is a grand, complex chorus with the several family members singing over, around, and above each other as they fight for the narrative line. Toko's story of his big fish is a soaring aria which ventures into a mystical realm, for Toko is a seer. And all this music seems totally appropriate to the lives of these Maori characters living in harmony with the land and their ancestors.The middle third of the book changes, as Hemi, the father of the family, abruptly introduces the harsh notes of reality which occur when "the works" closes down, and he and his friends find themselves unemployed. In mournful tones he comments on the loss of tradition, language, and connection to the land which are coming about as education is imposed on their children by outside authorities, and people such as himself accept outside jobs. Their very existence as a group is also threatened by developers who want to buy their land to put up hotels, build seaside parks where visitors can play with the dolphins and whales, and commercialize the lifestyle these Maori have enjoyed all their lives.In the final third of the book, as the Maoris fight for their land, the staccato, simple language is like the harsh beat of a war drum, and the songs disappear from the language, not returning until the rebuilding of the sacred house and the funeral of a key character bring about harmony and poetry once again.It is hard to imagine that Patricia Grace did not deliberately tailor her prose style to her subject matter, yet this seems so completely natural--so totally without artifice--that one wonders if this harmony of words and subject might be the ultimate, triumphant example of the unity of story and life which she so vividly celebrates in this memorable and touching novel. Mary Whipple
This was a mandatory book in a Pacific Literature class. Lucky for me. It is filled with complex symbolism that tells not only of a land struggle for a people who are holding on to their traditions, but how they learn, and choose what they take from "Western" ideas in order to fight for what little of their own land that the government has left for them. A lot of other people -including Hawaiians- are going through this now, which makes this book as relevant today as it was when it was written. The story is told through Toko, a deformed child who has a special knowing. He is central figure in the book, and not only as a story teller. His "second mother", Roimata, is the other story teller. Although, everyone has a story, they are the only two who actually tell the stories. It is an enriching and enlightening book for anyone familiar or not familiar with Moari culture or the struggles between land developers, government, and native peoples of any country or island. It is also much more than that, but I don't want to write an essay just to tell you how great the book is!
Like another reviewer from Hawai'i, I also read this book in a Pacific Island literature class. What could have easily become a story about white man's exploitation of the Maori people and the environment (and I'm okay with that kind of story too), was instead turned into a glimpse inside the Polynesian mind and set of values. The sections most unsettling to us Caucasians -- those on the mystical aspects of the wood carvings -- relate much about the way the Polynesian views the past, as being in front of them, something to learn from. And we learn that what we regard as "ancestor worship" is really a matter of valuing those who have cared for the land and passed it on to us, along with the knowledge of how to live on it. We're also shown the value of stories: This book is told as a collection of the stories of many persons, each of whom has a unique perspective, something a little different to tell. Some stories are pragmatic, some we would term "mystical," but they too contain a valid warning.This book probably did more than any ever -- fiction or non-fiction, and I'm a voracious reader -- to help me understand Polynesian values, which are basically the same values as those of indigenous peoples all over the world -- care for the land, respect the ancestors, listen to others' stories. Our planet desperately needs indigenous values!
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