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Ebook Born to Be Posthumous: The Eccentric Life and Mysterious Genius of Edward Gorey, by Mark Dery

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Review

One of the Best Books of the Year: NPR, The Guardian, Boston Globe, Paste, Mental Floss, San Francisco Chronicle"As a perfervid Goreyphile, I was a bit leery of a biography undertaking to spell out the details of his life. Did I really want to have the mystery solved? But Mark Dery drags the pond to revelatory result, contextualizing and analyzing Gorey, plunging into his obsessions, dissecting his sexuality, and even examining the philosophical import of nonsense while somehow managing to leave the central enigma radiantly intact. This is an absolutely riveting book about an utterly sui generis subject."―Alison Bechdel, author of Fun Home"The best biographies are the result of a perfect match between author and subject, and it's relatively rare when the two align perfectly. But that's the case with Born to Be Posthumous--Dery shares Gorey's arch sense of humor, and shows real sympathy for his sui generis outlook and aesthetics. Dery's book is smart, exhaustive, and an absolute joy to read... the biography [Gorey] has long deserved."―NPR"A detailed, devoted, and highly readable biography of the illustrator who--from The Doubtful Guest to The Curious Sofa--defined and embodied a world of camp, gothic hilarity."―Ben Schott, The Guardian"Smart and entertaining... brings us closer than ever to understanding a man devoted to enigmas."―Washington Post"Edward Gorey has been granted the most remarkable biography, one I believe he could have lived with. What was the likelihood that this singular genius could be restored, with such compassion and grace, within his whole context: Balanchine, surrealism, Frank O'Hara, Lady Murasaki, et al? This is a Dery Gorey book."―Jonathan Lethem"Provocative... Dery makes a convincing case that Gorey was the true godfather of Goth, inspiring a generation of pop culture memento mori, from the IMAX-scale nightmares of Tim Burton... to the travails of Lemony Snicket... Dery has set the standard for a comprehensive appraisal of his legacy."―San Francisco Chronicle"An entertaining account of an artist who liked to be coy with anybody who dared to write about him."―New York Times"Gorey has found a superb biographer in Mark Dery... Some enigmas aren't meant to be solved--but they can be usefully illuminated. That's just what Dery does in this excellent book."―Seattle Times"Ravishing...Dery portrays the man behind those odd little books that delighted in showing children in danger, blending Victorian and Surrealistic sensibilities; Gorey was a Harvard man, a balletomane, and ultimately, an enigma."―The Boston Globe

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About the Author

Mark Dery is a cultural critic. He coined the term "Afrofuturism," popularized the concept of "culture jamming," taught at Yale and NYU, and has published widely on pop culture, the media, and on the mythologies (and pathologies) of American life. His books include Flame Wars, a seminal anthology of writings on digital culture; Escape Velocity: Cyberculture at the end of the century, The Pyrotechnic Insanitarium: American Culture on the Brink, and the essay collection, I Must Not Think Bad Thoughts: Drive-by Essays on American Dread, American Dreams. Like Gorey, his mission in life "is to make everybody as uneasy as possible."

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Product details

Hardcover: 512 pages

Publisher: Little, Brown and Company; 1st Edition edition (November 6, 2018)

Language: English

ISBN-10: 0316188549

ISBN-13: 978-0316188548

Product Dimensions:

6.5 x 1.8 x 9.5 inches

Shipping Weight: 1.7 pounds (View shipping rates and policies)

Average Customer Review:

4.1 out of 5 stars

36 customer reviews

Amazon Best Sellers Rank:

#13,895 in Books (See Top 100 in Books)

Maybe I should have waited to write this review until I finished, but I felt compelled to do this halfway through the book. The biographer relentlessly pushes the gay issue regarding Gorey's sexuality on almost every page so far. It gets tedious and it's non-stop, to the point where I skip over paragraphs because of this. He even comments on "The Bug Book" saying that the two lead bugs are the same color and most likely the same sex. Really??? Who knows if Gorey was homosexual or asexual. Who cares to this much of a degree? There IS a sexuality called asexuality, but it seems that the author won't except this in Gorey's case. Otherwise, I'm enjoying the parts that don't relentlessly talk about Gorey being a homosexual.

I discovered Edward Gorey while pursuing a graduate degree at Harvard, where Gorey was an undergraduate some decades before. As a matter of fact, a friend found a shoebox of Gorey juvenilia in a closet in an apartment somewhere in the Cambridge ambit. The papers were obviously for real, but who knew how they wound up there? And who remembers what became of them? (I seem to recall an attempt to unload them at the Gotham Book Mart, the late, lamented shop in Manhattan's Diamond District that was Gorey Central.) Years later, I used to catch glimpses of his towering, reedlike silhouette in the lobby of the New York State Theater, as it then was, during intermission at the New York City Ballet, whose performances he frequented perhaps even more religiously than George Balanchine, the company's founding genius.I mention all this to indicate a certain willingness to get down in the weeds where Gorey's art and biography are concerned. Expected great things of this book, and to be fair, the research is exhaustive. Unfortunately, the author never says once what he can say a hundred times (harping on Gorey's Anglophilia, his eccentric dress code, the rings on his fingers, his camp sensibility, his unwillingness to be labeled gay or not guy). And much of the detail is, quite simply, boring. Clichés abound. Of Gorey's many gifts, two that have failed to rub off on his biographer are economy and concentration. A reader must do a lot of panning for precious little gold.

Excellent. The Gorey biography we've been waiting for. Recommended for Edward Gorey fans and those already familiar with his work.

by Mark Dery is a 500 pg. biography of artist/author Edward Gorey who lived from 1925 to 2000. Another Amazon reviewer has suggested that it is hard to write the definitive biography of a self-contained or introverted person (Gorey in this case) who made little or no effort to be popular. I agree.Prior to reading I had read two shorter biographical-in-nature books about GoreyI think that I fit the description of the typical admirer of Edward Gory in that I had never heard of him until 1980. That was when Public TV began a weekly series known as 'Mystery'. That series' episodes featured a short lead-in consisting of a Gorey-drawn, tinted, pen-and-ink cartoon of mysterious Edwardian characters appropriately dressed. That lead-in was offered in conjunction with an introduction featuring actor Vincent Price. Price sometimes described the TV location as 'Gorey Manor.' After Price came Diana Rigg to perform the introductions.Mr. Dery's book makes it plain that Edward Gorey was already fairly well-known in New York City. It was there that he caused himself to be noticed because of his usual garb of a long fur coat and sneakers. I might as well use this paragraph to tell readers that I learned from author Dery that Gorey had an I.Q. of circa 160, and was born and reared in Chicago; and also went with his parents to live in Florida for a time.I won't describe as an exciting book. But it is informative in a quiet way and is somewhat of a scholarly product. I think that the book will attract enough of a readership over time to cause it to be commercially successful. While reading it over the course of several days I noticed that it wasn't a work to cause me to want to get right back to reading it after a pause. But I remained in a mood or state to want to finish it.Edward Gorey found enough of a niche among the reading public to cause him to be able to lead a comfortable life. His typical book (and there are many) is short and thin. It contains the author's expert, unusual manner of pen-and-ink, tightly- drafted illustrations, plus prose (or poetry) that will never be called 'wordy' by anyone. He also illustrated books by other authors and was successful as a designer for stage plays, especially one called "Dracula."Author Dery focuses on the question of Gorey's sexuality. Gorey seemed to many to be gay. Some believe that he was asexual, though (says the author) he had 'crushes' of certain men. To this reader/reviewer it makes little or no difference to the quality of the book what his sexual proclivities, if any, were. Over the years Gorey attracted a substantial readership. His books continue to be sought after. Other authors have been influenced by his artistic style. Gorey's works are especially noticeable due to his unusually dark way of treating characters who are children.I believe that Edward Gorey will continue to be known or admired mostly because of the books and art he has produced, rather than via biographical material written by other authors. He is described in Dery's book on the last page of the work's body (pg. 415) as ". . . the most one-of-a-kind person you'd ever meet." This reviewer agrees.

Gorey profiles, until now, have been either serviceable but sketchy, like extended Wikipedia entries, or merely entertaining, colorful but anecdotal. Now cultural critic Mark Dery has given the world not only our first exhaustively comprehensive Gorey biography, but also a brilliantly insightful analysis of the artist's unique place in the culture. And he does so compellingly. Gorey lives in these pages, coming to life in Dery's conversations with just about everyone the man knew or worked with in his seventy-five years. His art finds new life for us as we see it for the first time in the context of Gorey's world.

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